A
-
Aliyari, Fereidoun
Designing a Method of Scenography with Concentration on Unconsciousness
Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
-
Amini, Rahmat
Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
B
-
Benvidi, Fatemeh
The Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]
F
-
Foroutan Yekta, Payam
Designing a Method of Scenography with Concentration on Unconsciousness
Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
H
-
Hamed Saghaian, Mahdi
Qualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran
(Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
-
Haselpour, Mahdi
Qualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran
(Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
-
Honarmand, Amin
Common-Third Triad Pairs in the Music of Alfred Schnittke [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 15-22]
K
-
Kamyabi Mask, Ahmad
A Mythological Analysis of Le visage d’Orphée by Olivier Py [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 63-70]
-
Khalil Azar, Jalil
Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
M
-
Moeini, Vahid
Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
P
-
Pakbaz, Mehrdad
Retracing the Origin of Two Pieces from the Old Arab School for “Oud” [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 5-14]
S
-
Sojoodi, Farzan
The Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]
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