Author Index

A

  • Aliyari, Fereidoun Designing a Method of Scenography with Concentration on Unconsciousness Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
  • Amini, Rahmat Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]

B

  • Benvidi, Fatemeh The Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]

F

  • Foroutan Yekta, Payam Designing a Method of Scenography with Concentration on Unconsciousness Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]

H

  • Hamed Saghaian, Mahdi Qualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran (Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
  • Haselpour, Mahdi Qualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran (Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
  • Honarmand, Amin Common-Third Triad Pairs in the Music of Alfred Schnittke [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 15-22]

K

  • Kamyabi Mask, Ahmad A Mythological Analysis of Le visage d’Orphée by Olivier Py [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 63-70]
  • Khalil Azar, Jalil Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]

M

  • Moeini, Vahid Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]

P

  • Pakbaz, Mehrdad Retracing the Origin of Two Pieces from the Old Arab School for “Oud” [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 5-14]

S

  • Sojoodi, Farzan The Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]